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Sweet Tooth - Out Of The Deep Woods

By Jeff Lemire

Catagory: Graphic Novels

Dhs. 69.00

Following on the heels of THE NOBODY, his Vertigo graphic novel debut, writer/artist Jeff Lemire pens his very first ongoing series SWEET TOOTH. A cross between Bambi and Cormac McCarthy's The Road, SWEET TOOTH tells the story of Gus, a rare new breed of human/animal hybrid children, has been raised in isolation following an inexplicable pandemic that struck a decade earlier. Now, with the death of his father he's left to fend for himself . . . until he meets a hulking drifter named Jepperd who promises to help him. Jepperd and Gus set out on a post-apocalyptic journey into the devastated American landscape to find 'The Preserve' a refuge for hybrids.

This unique and haunting new series is written and illustrated by Eisner-nominated creator Lemire (The Essex County Trilogy) and colored by fellow Eisner nominee Jose Villarubia.

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Pages
128
Language
English
Publisher
Vertigo
Publication date
2010-05-18
Binding
Paperback
ISBN
9781401226961
Dimensions
16.89 x 0.89 x 26.01 cm
Author(s)
Jeff Lemire

About the Series

About the Author: Jeff Lemire

Cover image of Sweet Tooth - Out Of The Deep Woods
Jeff Lemire

Sweet Tooth - Out Of The Deep Woods

Dhs. 69.00

Following on the heels of THE NOBODY, his Vertigo graphic novel debut, writer/artist Jeff Lemire pens his very first ongoing series SWEET TOOTH. A cross between Bambi and Cormac McCarthy's The Road, SWEET TOOTH tells the story of Gus, a rare new breed of human/animal hybrid children, has been raised in isolation following an inexplicable pandemic that struck a decade earlier. Now, with the death of his father he's left to fend for himself . . . until he meets a hulking drifter named Jepperd who promises to help him. Jepperd and Gus set out on a post-apocalyptic journey into the devastated American landscape to find 'The Preserve' a refuge for hybrids.

This unique and haunting new series is written and illustrated by Eisner-nominated creator Lemire (The Essex County Trilogy) and colored by fellow Eisner nominee Jose Villarubia.

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