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Thirst: A Novel of the Iran-Iraq War

By Mahmoud Dowlatabadi, Martin E. Weir

Catagory: Non-Fiction

Dhs. 50.00

“Dowlatabadi draws a detailed, realist picture of Iranian life . . . in language that is complex and lyrical.” —The Financial Times

In the midst of the Iran–Iraq War, an Iraqi journalist is given a tour of a military prison. The Major in charge of the camp informs the writer of what is expected: he is to write a fabricated report about a murder that has occurred in the camp, with the aim of demoralizing Iranian soldiers.

Reluctant to write the report, the writer spends a long night talking and drinking with the Major and detailing a work of fiction he is composing about a group of soldiers trapped on a hill, dying of thirst as they battle for a water tank with a group of enemy soldiers perched on the opposite hill. The tank remains undamaged, but neither group has a hope of reaching it without being killed.

In a narrative riddled with surreal images, shifting perspectives, and dark humor, Mahmoud Dowlatabadi—widely acknowledged as the most important living Iranian writer—offers a kaleidoscopic portrait of the warring countries as he questions the meaning of national identity and does something that has been nearly impossible to do in Iran for the last century: tell a true story.

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Pages
160
Language
English
Publisher
Melville House
Publication date
2014-06-24
Binding
Paperback
ISBN
9781612193007
Dimensions
12.73 x 1.02 x 20.32 cm
Author(s)
Mahmoud Dowlatabadi and Martin E. Weir

About the Series

About the Author: Mahmoud Dowlatabadi, Martin E. Weir

Book cover image
Mahmoud Dowlatabadi, Martin E. Weir

Thirst: A Novel of the Iran-Iraq War

Dhs. 50.00

“Dowlatabadi draws a detailed, realist picture of Iranian life . . . in language that is complex and lyrical.” —The Financial Times

In the midst of the Iran–Iraq War, an Iraqi journalist is given a tour of a military prison. The Major in charge of the camp informs the writer of what is expected: he is to write a fabricated report about a murder that has occurred in the camp, with the aim of demoralizing Iranian soldiers.

Reluctant to write the report, the writer spends a long night talking and drinking with the Major and detailing a work of fiction he is composing about a group of soldiers trapped on a hill, dying of thirst as they battle for a water tank with a group of enemy soldiers perched on the opposite hill. The tank remains undamaged, but neither group has a hope of reaching it without being killed.

In a narrative riddled with surreal images, shifting perspectives, and dark humor, Mahmoud Dowlatabadi—widely acknowledged as the most important living Iranian writer—offers a kaleidoscopic portrait of the warring countries as he questions the meaning of national identity and does something that has been nearly impossible to do in Iran for the last century: tell a true story.

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